Although it was not our original intention, after completing early edits of The Veil, it occurred to me that the first minute of the film worked as a story in its own right and could be edited as such to be submitted in festival one minute wonder and super short categories, giving us more chance for success. Thus The Last Goodbye was born!
A widow visits her husband’s grave to say one last goodbye.
The Veil is another collaboration between myself, Nat Pearse and Film Focus Wales. This time I took on greater responsibility, writing (the script) again but also producing and doing camerawork. The film came about as Film Focus were looking for films that tackled issues relating to older people. The first issue that came to mind was death (sorry, old people). It immediately occurred to me that the most clichéd storyline to do would be a character dealing with the loss of someone they loved. Then it occurred to me, what about a story about a character dealing with the loss of someone they hated? I instantly thought of the image that appears at 0:51 (no spoilers) and always wanting to produce scripts that contain striking and original imagery; I knew this was the idea to go with. Again, working with Nat and Film Focus proved a great success and I’ve already got scripts prepared for future collaborations!
I’ve also developed a 30-minute script taking the intro and themes from The Veil that maintains the shock value of the intro but remains more grounded in reality rather than relying on horror movie tropes. It takes the story in a more ambitious direction that I’d never have the budget to realise, but I’m hoping it could be successful in one of the BBC’s Drama Room submissions.
Abi’s resentment towards her dead husband allows an evil spirit to enter her life. A mysterious messenger tries to warn Abi. But can the veil of delusion be lifted, before it’s too late?
Determined to be selected for It’s My Shout 2018, I decided to submit multiple entries; a tactic that had proven successful for Cardiff Mini Film Festival 2017. The brief requested a ten-minute script that would have multiple roles for young actors and a Welsh connection, and I knew that It’s My Shout favoured scripts with a social conscience. Bearing all this in mind, I wrote and submitted six scripts (synopses for others viewable in Unproduced Scripts and scripts available upon request). The tactic again proved successful, and That’s What I ‘Eard was selected to be produced by It’s My Shout and broadcast on the BBC. That’s What I ‘Eard is a comedy-drama that tackles a serious subject matter, please read the script and see how I’ve incorporated It’s My Shout’s criteria; the finished film is available upon request.
Ivor is not the bravest kid, but when he kicks the gang’s ball over the wall of local villain Mr Jones, he has no choice but to form a team to venture into the villain’s lair and retrieve it. A hard enough task on its own but things are made more difficult as tales of Mr Jones’s atrocities unfold and the team gradually falls apart; leaving Ivor to face Mr Jones alone and prove his bravery.
I wrote Marching Orders at the start of 2017 as a contender to be filmed and submitted to Cardiff Mini Film Festival in the One Minute Wonder category. It just missed out on being shot by me but after joining the filmmaking group Film Focus Wales, I offered it to them, and it was taken on by talented, up-and-coming director, Nat Pearse. The film attempts to show how a positive attitude can affect those around you, and a negative one can do just the same. Nat and Film Focus achieved great results, and I’m positive all our future collaborations will be just as successful!
Jim is down on his luck, having been given his marching orders from work. But when inspiration hits him, his outwardly positive attitude starts to affect all those around him.
My latest showreel. Chiefly considering myself a writer, I wished it to highlight my ability to create striking and imaginative visuals, unique situations, concepts and dialogue, as well as displaying impressive camerawork and production values. All the films featured are viewable on my website.
My first TV interview, on The Crunch, discussing my award-winning films and filmmaking in general. Overall, it was a good experience, that’ll hopefully prepare me for many more future TV appearances. The sound was out of sync on the clip from Bob, but it was still an excellent opportunity to promote my work, and I didn’t stumble over my words too much. More details on much of what I discuss, including my aspirations and my films and their development, can be found in the Career Plan and Produced Scripts categories and by exploring the rest of my website.
When setting myself the task of writing multiple films for Cardiff Mini Film Festival 2017, I formulated many of my ideas not by thinking of a social issue I’d like to tackle or a theme I’d like to convey, as had often been my method in the past, but by picturing a striking image and then forming the film’s plot and theme around that. It’s a method I now always consider as it produced great results; showing memorable imagery is equally as important to a film’s success as meaningful substance. Bob (script) was one such film for which I used this method. Another was Goldfish, which originated from the image of a man staring into a goldfish bowl. The image Bob originated from was that of a grown man on a park bench holding a red balloon. Once I had this image, it led to questions such as why would a grown man carry a balloon and what could this symbolise? The themes of insecurity, benevolence and release developed from this.
Bob carries his red balloon everywhere he goes, even though it prevents him from joining in and causes him to be teased. But is it the balloon he needs to let go of or something else?
The Prophet (script) was inspired by an old parable I came across on the Internet:
“A man said to the Prophet, ‘Give me advice.’ The Prophet said, ‘Do not get angry.’ The man asked repeatedly, and the Prophet answered each time, ‘Do not get angry.'”
I found it amusing that the man persistently questions the Prophet even though he’s already given his answer, seeming like he’s attempting to aggravate him to get him to contradict himself. This elaboration was the basis for the film and allowed for a comment on religious hypocrisy.
A modern-day prophet has some sage advice for an inquisitive young man, but he’s not about to take it without question.
Total Investigation Television (script) was inspired by the popular social experiment films that saturate YouTube and social media. These films claim to be raising awareness about moral causes but in reality are treating people like laboratory rats, forcing them into manufactured situations that are both dangerous and stressful. I’ve seen examples where assaults are instigated, the disadvantaged are manipulated and judged from a position of privilege, and children are put in extreme danger (a crime for which those responsible should be prosecuted for child endangerment). The filmmakers’ true intention – to scam the public to make their videos go viral, promote their companies and sell merchandise – seems to have gone unnoticed. Total Investigation Television’s aim was to draw attention to the hypocrisy of their immoral acts.
Jay is desperate to make a successful social experiment film that questions people’s morality, but his desire for success throws his own morality into question.
The Housemate from Hell (script) is a short film I made in the final year of my Film & Video Degree. It’s a dark comedy about how a lack of communication can fuel resentment and lead to antagonism. It also uses the device of the untrustworthy narrator (inspired by the Doctor Who episode Love & Monsters): clues being spread throughout that contradict the narrator’s story.
Cleanly and organised, James is a peaceful, heavenly soul. But when Mike, a slobby party animal, moves in, a war begins with the housemate from hell.